Visiting Artist at the USF School of Music

photo: Bryce Womeldurf 
Visiting artist and violinist Monica Germino addresses students during an intensive violin studio class on November 8, 2017.
 
"Violinist Monica Germino wraps up an exciting semester as visiting artist at the USF School of Music" Read more
 
"Germino has spent her time introducing students to new contemporary music composers and techniques while challenging them every step of the way. Working with a studio already well-versed in contemporary music, she pushed the students further into the realm of new music by assigning works by composers such as Donnacha Dennehy, Annie Gosfield, Louis Andriessen, Vanessa Lann, and Philip Glass.
In early November, she coordinated and moderated a special violin studio class in Barness Hall with live sound and technical support from the USF Composition department. All 18 members of the violin studio introduced their pieces – which ranged from Ives and Boulanger to new music spanning the 1980s to the present – before performing them live with any complementary soundtracks and amplification.
Students saw firsthand what it is like to engage with music in an intensive setting with the guidance of a challenging, supportive, and experienced musician. Some even sang while playing violin, a method of performance that has come to characterize Germino's own professional work.
"What I love about her is she is bringing it right to the students," said Scott Kluksdahl, professor of cello and chamber music. His students often collaborate with the violin studio for chamber music pieces. He calls the recent studio class "a real glimpse into how an artist engages in the creative process ... Everybody had to go outside their comfort zone and do something that was in the realm of the unknown."
Germino's presence this semester has advanced the musicianship of violin students at USF and will leave a lasting impression on both student performers and composers alike. "To have an established new music performer who's not only passionate but also really good and well-recognized is really useful," said [Logan] Barrett [a third-year music composition student]. "It's reassuring and directly helps us because it gets the violinists more into what we do."
-Connor Murphy
 
 

whisperviolin

Welcome to the newest addition to the family, which thus far includes a Ceruti from 1802, a Violectra by Dave Bruce Johnson, a modified violin for INDUSTRY, Mr. Blue (seeing is believing), and more coming up...watch this space!

This frame violin, also known as a mute violin, is from ca. 1870. It has a beautiful, intimate, overtone-rich sound. Surprisingly little is known about these striking instruments.  One resource is the National Music Museum at the University of South Dakota.

video premiere of Shapeshifter

Watch the video here! (excerpt)

NEW@LOG: New video! The Log Journal premieres the video to Molly Joyce's "Shapeshifter," off her recent EP and featuring violinist Monica Germino. Video shot and edited by Kevin Eikenberg of Four/Ten Media:

The Log Journal "Our friends at New Amsterdam Records have given us the opportunity to share a number of exclusive album previews in recent months. Today we’ve got something different to offer along with NewAm: our first VIDEO premiere, for the Molly Joyce composition Shapeshifter. Performed by the Dutch duo of violinist Monica Germino and sound engineer Frank van der Weij, the piece is one of two works included on Joyce’s new digital EP, 'Lean Back and Release.'

Molly Joyce: “Shapeshifter is a work inspired and motivated by physical change and its many implications. When I originally wrote it for the violin and engineer duo of Monica Germino and Frank van der Weij, I was aiming for the violin to gradually ‘shape-shift’ to a new and divergent sound. Thus the video to accompany excerpts of the work utilizes projection mapping and more to distort the actress’s appearance and propel her to a new physical image.”

18th Biennial Festival of New Music

photo: Co Broerse

1-4 February 2017: Monica Germino in residence at the 18th Biennial Festival of New Music at Florida State University College of Music. 23 composers from across the country will attend performances of their works in a series of 7 concerts. The festival will feature presentations, works, performances, and masterclasses by special guests: composer Louis Andriessen, the Bugallo-Williams Piano Duo, and violinist Monica Germino. 

New release: Monica Germino plays Molly Joyce's Shapeshifter

 New Amsterdam Records releases a digital EP of two tracks for solo violin with live and pre-recorded electronics, by Molly Joyce . Monica Germino plays Joyce's entrancing Shapeshifter and Adrianna Mateo plays the title track, Lean Back and Release. Mixing/mastering by Andrew McKenna Lee, Frank van der Weij, Krišs Veismanis, Michael Laurello, and Greg Kalember. 
Out now via New Amsterdam Bandcamp subscription & everywhere else on 27 January 2017. 

Listen on Spotify

Watch the video (excerpt)

The title track is followed by a more recent work, "Shapeshifter", originally written for the Dutch duo of violinist Monica Germino and sound engineer Frank van der Weij. Premiered in April 2015 in The Hague and Amsterdam, "Shapeshifter" is motivated by the concept of control and losing it. It is driven by the fact that with the duo, Frank is typically not seen visually, and therefore the idea of him controlling Monica’s sound and gradually letting go of that control is highlighted throughout the piece, and for Monica to gradually “shape-shift” to a new and divergent sound. The Shapeshifter recording was engineered by Frank van der Weij, Krišs Veismanis, and mixed by Michael Laurello, and mastered by Greg Kalember. 

Molly Joyce on both works: 
"Lean Back and Release' and 'Shapeshifter' represent some of my first explorations into composing for acoustic instruments with accompanying electronics, and specifically how these instruments' sounds can transform electro-acoustically. With both works I was striving for a clear form that is driven by the changing range of the solo violinist, and how that change can be driven by an electronic backing track that is also derived from the acoustic violin. 
Both pieces are also very much inspired by the violinists they are written for, and were written to challenge and showcase Adrianna and Monica's talents in new and unexpected ways."

READ MORE: Broadwayworld.com