Welcome to the newest addition to the family, which thus far includes a Ceruti from 1802, a Violectra by Dave Bruce Johnson, a modified violin for INDUSTRY, Mr. Blue (seeing is believing), and more coming up...watch this space!
This frame violin, also known as a mute violin, is from ca. 1870. It has a beautiful, intimate, overtone-rich sound. Surprisingly little is known about these striking instruments. One resource is the National Music Museum at the University of South Dakota.
video premiere of Shapeshifter
Watch the video here! (excerpt)
NEW@LOG: New video! The Log Journal premieres the video to Molly Joyce's "Shapeshifter," off her recent EP and featuring violinist Monica Germino. Video shot and edited by Kevin Eikenberg of Four/Ten Media:
The Log Journal "Our friends at New Amsterdam Records have given us the opportunity to share a number of exclusive album previews in recent months. Today we’ve got something different to offer along with NewAm: our first VIDEO premiere, for the Molly Joyce composition Shapeshifter. Performed by the Dutch duo of violinist Monica Germino and sound engineer Frank van der Weij, the piece is one of two works included on Joyce’s new digital EP, 'Lean Back and Release.'
Molly Joyce: “Shapeshifter is a work inspired and motivated by physical change and its many implications. When I originally wrote it for the violin and engineer duo of Monica Germino and Frank van der Weij, I was aiming for the violin to gradually ‘shape-shift’ to a new and divergent sound. Thus the video to accompany excerpts of the work utilizes projection mapping and more to distort the actress’s appearance and propel her to a new physical image.”
18th Biennial Festival of New Music
photo: Co Broerse
1-4 February 2017: Monica Germino in residence at the 18th Biennial Festival of New Music at Florida State University College of Music. 23 composers from across the country will attend performances of their works in a series of 7 concerts. The festival will feature presentations, works, performances, and masterclasses by special guests: composer Louis Andriessen, the Bugallo-Williams Piano Duo, and violinist Monica Germino.
New release: Monica Germino plays Molly Joyce's Shapeshifter
New Amsterdam Records releases a digital EP of two tracks for solo violin with live and pre-recorded electronics, by Molly Joyce . Monica Germino plays Joyce's entrancing Shapeshifter and Adrianna Mateo plays the title track, Lean Back and Release. Mixing/mastering by Andrew McKenna Lee, Frank van der Weij, Krišs Veismanis, Michael Laurello, and Greg Kalember.
Out now via New Amsterdam Bandcamp subscription & everywhere else on 27 January 2017.
Listen on Spotify
Watch the video (excerpt)
The title track is followed by a more recent work, "Shapeshifter", originally written for the Dutch duo of violinist Monica Germino and sound engineer Frank van der Weij. Premiered in April 2015 in The Hague and Amsterdam, "Shapeshifter" is motivated by the concept of control and losing it. It is driven by the fact that with the duo, Frank is typically not seen visually, and therefore the idea of him controlling Monica’s sound and gradually letting go of that control is highlighted throughout the piece, and for Monica to gradually “shape-shift” to a new and divergent sound. The Shapeshifter recording was engineered by Frank van der Weij, Krišs Veismanis, and mixed by Michael Laurello, and mastered by Greg Kalember.
Molly Joyce on both works:
"Lean Back and Release' and 'Shapeshifter' represent some of my first explorations into composing for acoustic instruments with accompanying electronics, and specifically how these instruments' sounds can transform electro-acoustically. With both works I was striving for a clear form that is driven by the changing range of the solo violinist, and how that change can be driven by an electronic backing track that is also derived from the acoustic violin.
Both pieces are also very much inspired by the violinists they are written for, and were written to challenge and showcase Adrianna and Monica's talents in new and unexpected ways."
READ MORE: Broadwayworld.com